Storyboard - shot by shot

Shot 1 - The first shot is an establishing shot looking over at the sky and the top of the town in which the film is set. The town looks fairly regular where it seems that nothing particularly interesting happens. The towns apperaence is matched by the grey sky and gives an overal impression of bleakness. The shot then pans down to focus on the town. This suggests that were the focus of the town is where the action is going to take place. (Establishing shot)
Shot 2 - The second shot is of one of the characters (Sam) getting ready in the mirror. The fact that he is looking in the mirror suggests to the audience that he is possibly vain and cares about his appearance. The audience gets this impression before they have even got to know the character properly. The Shot is at a low angle which suggests that the character is strong and dominant. (Mid-Shot)
Shot 3 - The third shot is a close-up on some keys. The keys are then picked up by a hand of one of the main characters. The shot is short and quick cut which suggests that the character is in a hurry and adds to the fasted pace nature of our opening. (Close-up)
Shot 4 - The fourth shot is of one of the characters leaving his house and getting in his car. The shot starts by looking at the house and then pans to follow the character as he walks to his car. (Long-shot)
Shot 5 - The fifth shot is of the character sitting in his car and waiting before making a phone-call. The camera is positioned on the dashboard of the car so that the audience are able to see into the car. (Mid-shot)
Shot 6 - The sixth shot is of another character laying in bed asleep. As the previous characters are up and ready, this suggests that this character is lazy and not as organised as the others. (Mid-shot)
Shot 7 - The seventh shot shows the same charatcer from the previous shot getting ready in a hurry, the camera position is slightly further back to allow movement and still be in frame. (Long Mid-shot)
Shot 8 - The character is seen running down the stairs and the camera pans to follow him out the door. (Long Mid-shot)
Shot 9 - The character is now seen running towards a car. The camera is located from inside the car looking out the window. (Long POV-shot)
Shot 10 - The character enters the car. The camera is again located on the dashboard looking at the two characters sitting in the front two seats. There is an exchange of dialogue. (Mid-shot)
Shot 11 - We see the main character getting ready in the mirror. (Mid-shot)
Shot 12 - Close up of main character looking at the mirror. The camera is positioned as if it were the camera and this creates a personal affect as we are introduced to the main charcter. He is shown by his actions and dialogue to be nervous about his wedding. (Close-Up)
Shot 13: He begins singing in the mirror. This reflects the comedy aspect of our film. (Close-Up)
Shot 14: The first character walks in on him and looks at him in amusement. (Mid-Shot)
Shot 15: The other 2 characters walk in late and do the same.(Mid-Shot)
Shot 16: The main character acts confused as to why they are amused. (Mid-Shot)
Shot 17: The camera pans down to show he is naked from the waist down except for boxers. (Mid-Shot)
Shot 18: Fades to black.